Escalante Adventure 2021: Monochrome Portfolio

I was blessed to spend a week in April backpacking in the Escalante wilderness with two of my favorite people in the world, in one of my favorite places in the world. The Canyons of the Escalante is a true wilderness; rugged and austere, seemingly impenetrable, vast and incomprehensible. I find it incredibly challenging to capture images that express the visceral and emotional intensity of being there.

Seems like it should be easy, point your camera in any direction, click, and presto you’ve got an instant classic. Everything looks amazing as you move through the landscape, your mind effortlessly removing the clutter, and your eyes simultaneously revealing detail in bright skies and shadowed canyon walls. I worked hard to put some of that beauty and grandeur I was seeing on my memory cards, but I’d be lying if I said I wasn’t disappointed with my efforts once I got home.

This portfolio is a response to that disappointment. In some cases an attempt to simplify and distill the graphics even more. In some cases a way to push the processing further; to pump up the contrast without moving the colors into the garish and unreal realm. I don’t think any of these images end up in my greatest hits, but I do like the cohesion of this portfolio. Like puzzle pieces, together these images start to tell the story of this singular place.

Scanning 35mm Film

Stone Watercourse, Wind River Range, Wyoming

As I’ve been working on the new website, I realized that some of my older film scans were not migrated to newer hard drives. When I first started scanning my film, I made the mistake of scanning a lot of images at smaller sizes because I was trying to save hard drive space, and I didn’t want to clutter up my drives with full size images (100+MB) that weren’t ultimately going to be printed large.

Today, my hard drives are full of images that will never even be proofed - because they’re not good enough. With digital storage costing less than ever, it only makes sense to scan film at the highest possible resolution, creating a master image file that is sized down for proofing, instead of scanning a proof size file and rescanning if a larger file is desired, which is what I used to do.

So, rather than trying to retrieve the digital versions, I’ve been rescanning some of my 35mm slides. Images from my previous website galleries; praiseworthy images that slipped through the cracks because they're not core portfolio images.  I’ve also been scanning some images that had never been transferred to digital. This has made me realize a few things.

Mistake Lake, Wind River Range, Wyoming

 First, I need to be more diligent with the organization and updating of my digital image library. Not migrating digital content to new media or new technology could have catastrophic consequences when there’s no hard copy original to fall back on.

Second, I have a huge collection of images on film that have rarely if ever been seen. Images that were once projected in slide shows, but have never existed in digital form, yet still deserve some attention. I need to resume scanning my best chromes, something I stopped doing once I became firmly established in my digital workflow.

 Third, I should offer my services to people who want to give new life to images on film. I could put my Nikon Coolscan to work. So, if you have precious images on 35mm film (slide or negative) that you’d like to convert to jpeg and tiff, contact me to find out how.